- Ability to utilize technological resources in research, data analysis, and presentation.
n Digital identity
Since my first Digital History class in 2008, I’ve been telling students that I wanted them to be “uncomfortable, but not paralyzed” based on my sense that it was only when one struggled a bit that deep learning occurred. The concept has explicitly shaped much of my teaching since then. Now the Mindshift blog at KQED is reporting that there are several studies that back up my reasoning.
In one study, published in Learning and Instruction, psychologists Sidney D’Mello and Art Graesser found “that even negative emotions can play a productive role in learning.”
Confusion, D’Mello explains, is a state of “cognitive disequilbrium”; we are mentally thrown off balance when we encounter information that doesn’t make sense. This uneasy feeling motivates us to restore our equilibrium through thought, reflection, and problem solving, and deeper learning is the result. According to D’Mello, engaged learners repeatedly experience “two-step episodesalternating between confusion and insight.” Back and forth, between perplexity and understanding: this is how the learning of complex material happens.
In fact, deep learning may be unlikely to happen without the experience of confusion, suggests a study conducted by another researcher, Arizona State’s Kurt VanLehn. The students in his experiment were not able to grasp the physics concepts they were learning until they had encountered, and surmounted, an intellectual “impasse.”
Still another study, this one led by Harvard physicist Eric Mazur, found that students who observed a demonstration in science class understood the relevant concept no better than before—unless the students were asked to predict the outcome of the demonstration in advance. When their predictions turned out to be wrong, the resulting confusion motivated them to consider the concept more deeply, and they learned more.
On a related note, Stephen Ramsey at the University of Nebraska has a wonderful post that eloquently makes the case that attitude is more important than (initial) aptitude in learning programming.
Nearly every programmer I know – and I know some great ones – started out not with a course, or a book, or a teacher, but with a problem that was irritating them. Something in their computational world didn’t seem right. Maybe it was broken, or maybe just missing. But being comfortable with not-knowing-what-the-hell-they’re-doing, they decided that getting a computer to do something new was more-or-less like figuring out how to get the chain back on the bike. They weren’t trying to “be programmers” any more than the parent determined to fix the kid’s bike is trying to be a “bicycle mechanic.”
All of these suggest that cultivating mental habits among our students (and ourselves) where we are okay with being unfamiliar with a subject, okay with struggling to master a concept or tool or problem, okay with working in new formats, okay with failure and trying again is important for intellectual and academic development in school and with the work done outside of school.
I’ll make this public here, partly to keep myself honest, partly to explain why there may be fewer* posts here.
I often say that one of my goals in teaching is to push students beyond their comfort zones, that discomfort is where real learning occurs, and that I want students to become comfortable with being uncomfortable. One of the parallels to that, however, that I’ve also made clear in the teaching presentations I’ve made to faculty is that the concept applies to us as well. We need to get outside of what we are comfortable with and to learn new skills while remembering what it is like to be a student.
In that vein, and because I’ve really always wanted to join in the fun that many of my students and my good friends at UMW’s DTLT are having, I’m going to participate in DS106 this summer as a student. The course (phenomenon?) that began at UMW a few years ago had its origins as a face-to-face course in Digital Storytelling in Computer Science. DS106 has become much more than that, and runs at various points throughout the year with both students taking a formal class with grades and credits and a host of open, online only participants (like me).
I’ve created a separate site for my various projects to come out of the 10 week course at http://ds106.mcclurken.org/.
*I’m aware that some of you are laughing right now at the idea of “fewer” posts here, given the sporadic nature of my blogging.
Thank you for that introduction, Austin, and thanks to the Senior Class Officers for this opportunity to talk to the graduating class of 2012, and our honored guests, family and friends.
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http://www.wordle.net/show/wrdl/5251798/2012-Convo–Honor |
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Anand Rao — http://www.flickr.com/photos/panandrao/
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http://www.wordle.net/show/wrdl/5251832/2012Convo–Post-grad |
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UMW Graduation — http://archive.umw.edu:8080/vital/access/HandleResolver/10154/1459 |
I didn’t mention, that after walking across the stage and shaking the president’s hand, as you’ll do tomorrow, I walked back to Alvey Hall, packed up my things and moved back home. I had been conflicted my senior year about what I was going to do after college. For a while I was sure that I would become a minister. That didn’t work out, though it was not because, as one student recently suggested, of any youthful indiscretions on my part. [Honestly the student in question seemed disappointed that I wasn’t that cool.]
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Alan Levine–http://www.flickr.com/photos/cogdog/7174181426/ |
So, a semester’s work of work comes down to tomorrow. As I’ve discussed before, my Women’s History since 1870 course has spent the semester researching and creating a classroom from the mid-20th Century.
The students in the class spent the first half of the semester working on research in the primary sources of the school, especially those resources in our Special Collections department. They created the following sites for each decade
Today, my family and I had the chance to visit a house once owned by Parson (Mason Locke) Weems, famed for writing the first biography of George Washington (and the man responsible for introducing that silly story about Washington chopping down the cherry tree as a child). The house is for sale at auction next month and today was an open house. My family doesn’t have much chance of buying it (though I was assured that it could well sell for “under a million”), but we enjoyed touring the house and the 25 acre grounds of Bel Air (especially since after the sale, it’s likely to be inaccessible again as a private residence).
Originally built in the 1740s, it was renovated in the late 19th Century and again in the mid- and late 20th Century. It is oddly accessed by driving through a very modern neighborhood (a contrast which I tried to capture in the last group of pictures in the Flickr slideshow at the bottom of the page). There is a great deal of land that comes with the house, but the house itself is quite close to the neighborhood and a nearby modern church building. Still, the house is a wonderful blend of the modern and the colonial, from the formal sitting rooms on the main floor (see image below) to the wireless router and laser printer in the office, from the servant staircase that leads to a door on the second floor living room and the full hearth in the same room as the modernized kitchen appliances. The grounds would be a wonderful place for a garden party, although they could use a little work. There is also a small family graveyard, where Weems is apparently (though not definitively) buried.
All in all, it was a pleasant way to spend an afternoon with my family. Now we just have to start a Kickstarter fundraiser to be able to buy the house ourselves.
The research sites on the 1930s, 1940s, 1950s, and 1960s that my US Women’s History students have created as part of our project to re-create the Mary Washington college classroom experience are now up on the course site.
Please check the sites out, and vote for the site that you think provides the best set of resources for our class to actually re-create the classroom experience.
Thanks!
I’ve been wrestling with the notion of an interdisciplinary academic program for undergraduates that engages students in thoughtful consumption of digital media, in production of scholarly and creative work in various forms of digital media, and in exploration and analysis of the implications of such media. In trying to clarify my thoughts before I go talk to people about this idea at my school and elsewhere, I asked for help on Twitter. The following is the conversation that emerged. I’m still analyzing it–I’m clearly still stuck, for example, in my quest to find a term that captures much of what I like about “Digital Humanities”, while including the social sciences and sciences as well–but I thought it might be useful to have the whole thing in one place for me and for anyone else who is interested. I’d welcome any other comments or contributions to the discussion.
As I discussed in this post, my US Women’s History since 1870 class will be working on a project in which the ultimate goal is to be able to recreate a class session or two from the middle of the 20th Century.
Here is the assignment that I developed for the course, in three stages. Note the use of individual and group work, online and IRL activities, and deep research in the archives of the school.
As always, I’d appreciate any comments or suggestions. [The full course syllabus is here.]
I just sent the following email to one of my classes for the Spring.
Hello all,
Thanks for signing up for History 328: US Women’s History since 1870. I wanted to give you a little preview of my plans for our class next semester because the research projects in the class are going to be a little different than that of other history classes (even for those of you who took HIST 327 this fall).
First of all, in many ways, the general structure of the class is going to be fairly standard. We’ll have lectures on Tuesdays and part of Thursdays, and discuss readings on Thursdays. There will be a mid-term and a final based on those lectures, discussions, and readings.
What’s different is that the rest of your grade, roughly 40%, will be based on a series of projects we’ll be working on in groups and as a class. These projects will be based around researching Mary Washington College classes in the 1930s, 1940s, 1950s, & 1960s (including course topics, pedagogical approaches, majors, gender stereotypes, technology, and clothing). As the class lectures and readings look at the experiences of women in the United States in the late 19th and 20thCenturies, our parallel goal will be to understand what college meant to women who came to Mary Washington in the four decades in the middle of the 20thCentury.
Each group of 6-7 of you will have a decade to research, using a variety of online and archival sources, as well as interviews with alums from these decades. Rather than writing a traditional individual research paper, you’ll keep a research blog and work with your group to create a research site collecting together the information that you’ve found.
Based on those sites, we will collectively decide (perhaps with the help of some alums), which decade we will then use for the final project, a re-creation of a course session or two from that decade.
Now, if this project is not the kind of thing you’ll be interested in working on, you may want to look for another class. But I hope you’ll each at least be intrigued by the idea and perhaps even excited by doing something that is original, fun, and creative, while tying in to the themes we’ll be discussing more broadly for US women in the class.
Have a terrific break and I’ll see you in January.
Dr. McClurken
I’m very excited about this project, so any suggestions you have for the process, the approach, the research sites, or anything else will be greatly appreciated.